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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Tánger (Seated Arabs) Wall Art
ART BY: Mariano Fortuny Marsal
Tánger (Seated Arabs) Wall Art
ART BY: Mariano Fortuny Marsal
Standard, 603 × 800pxWEBP · Free
DownloadMax Size, 2,959 × 3,926pxJPG, Size: 3.6 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 18″ × 24″
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Tánger (Seated Arabs) is a print, etching on wove paper by Mariano Fortuny Marsal (1838–1874). The artist is catalogued as Spanish. The original is held by the National Gallery of Art, and the file offered here measures 2959 × 3926 px (3.6 MB). You will find it among Prints and Realism, in portrait format. Archive Lane holds 83 works by Mariano Fortuny Marsal, a Spanish artist.
Mariano Fortuny y Marsal was a Spanish painter known for works focusing on Romantic fascination with Orientalist themes, historicist genre painting, and military painting of Spanish imperial expansion.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Mariano Fortuny Marsal →
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Tánger (Seated Arabs) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
