Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Pietro della Vecchia→
| Artist | Pietro della Vecchia |
| Year | c. 1650 |
| Medium | Oil on canvas |
| Origin | Art Institute of Chicago |
| Original Size | 47 × 147.3 cm (18 1/2 × 58 in.); Framed: 54.7 × 157.5 × 3.9 cm (21 1/2 × 62 × 1 1/2 in.) |
| Category | Children |
| Style | 17th Century |
| Color | Gray |
| Resolution | 3000x915 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 366393 |
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This public domain artwork is offered as an original high-resolution digital download.
The Adoration of the Magi is an oil on canvas by Pietro della Vecchia (1603–1678), dated c. 1650. The artist is catalogued as Italian. The original is held by the Art Institute of Chicago, and the file offered here measures 3000 × 915 px (1.0 MB). You will find it among Children, in landscape format. Archive Lane holds 39 works by Pietro della Vecchia, an Italian artist.
Pietro della Vecchia, Pietro della Vècchia or Pietro Vècchia, formerly incorrectly called Pietro Muttoni was a versatile Venetian artist between late Mannerism and early Baroque, who worked in many genres and created altarpieces, portraits, genre scenes and grotesques. He also created pastiches of the work of leading Italian painters of the 16th century.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Pietro della Vecchia →
The Adoration of the Magi is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.