Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Giovanni Battista Cavalieri→
| Artist | Giovanni Battista Cavalieri |
| Year | 1574 |
| Medium | Engraving on two joined sheets |
| Origin | The Metropolitan Museum of Art |
| Original Size | Sheet: 46 7/16 x 15 15/16 in. (118 x 40.5 cm) |
| Category | Prints |
| Style | Renaissance |
| Color | Brown |
| Resolution | 3826x1355 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 445267 |
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This public domain artwork is offered as an original high-resolution digital download.
The Battle of Constantine at the Milvian Bridge, after Raphael is an engraving on two joined sheets by Giovanni Battista Cavalieri (1525–1601), dated 1574. The artist is catalogued as Italian. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 3826 × 1355 px (2.8 MB). It is filed under Prints and Renaissance, in landscape format. Archive Lane holds 41 works by Giovanni Battista Cavalieri, an Italian artist.
Giovanni Battista de' Cavalieri (1526–1597), an Italian engraver, was born at Villa Lagarina and died at Rome. His style of engraving resembles that of Enea Vico.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Giovanni Battista Cavalieri →
The Battle of Constantine at the Milvian Bridge, after Raphael is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.