Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

Fernand Pelez (1848–1913) made The Bite of Bread: man bent forward, hands in pockets, a painting, made in 1904. The high-resolution scan comes from Wikimedia Commons and measures 2,136 × 5,448 pixels. It is filed under Drawings and Impressionism within French art. This is a public-domain work: free to preview, available in full resolution and as a print.
View all artworks by Fernand Pelez→
| Artist | Fernand Pelez |
| Year | 1904 |
| Medium | Painting |
| Origin | Wikimedia Commons |
| Category | Drawings |
| Style | Impressionism |
| Resolution | 2136x5448 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 733936 |
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This public domain artwork is offered as an original high-resolution digital download.
The Bite of Bread: man bent forward, hands in pockets is a painting by Fernand Pelez (1848–1913), dated 1904. The artist is catalogued as French. The source scan comes from the Wikimedia Commons, and the file offered here measures 2136 × 5448 px (2.5 MB). It is filed under Drawings and Impressionism, in portrait format. Archive Lane holds 43 works by Fernand Pelez, a French artist.
Fernand Pelez was a French painter of Spanish origin who worked in Paris. Pelez portrayed social issues in a realistic style.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Fernand Pelez →
The Bite of Bread: man bent forward, hands in pockets is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.