Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Day After Arriving At The Journeys End Wall Art
ART BY: Charles Dana Gibson
The Day After Arriving At The Journeys End Wall Art
ART BY: Charles Dana Gibson
Standard, 800 × 516pxWEBP · Free
DownloadMax Size, 6,309 × 4,068pxJPG, Size: 15.7 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$182.99XL · 20″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Day After Arriving At The Journeys End is a public-domain artwork by Charles Dana Gibson (1867–1944). The artist is catalogued as American. The high-resolution file measures 6309 × 4068 px (15.7 MB). It is filed under Illustration and Art Nouveau, in landscape format. Archive Lane holds 1,164 works by Charles Dana Gibson, an American artist.
Charles Dana Gibson was an American illustrator who created the Gibson Girl, a character that represented American woman at the turn of the 20th century.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Dana Gibson →
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Frequently asked questions
The Day After Arriving At The Journeys End is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
