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The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night Wall Art
ART BY: Basavana
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night Wall Art
ART BY: Basavana
Standard, 520 × 800pxWEBP · Free
DownloadMax Size, 2,212 × 3,400pxJPG, Size: 2.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 18″
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$106.99Medium · 12″ × 18″
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About this artwork
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night is a painting, gum tempera, ink, and gold on paper by Basavana (1131–1196), dated c. 1560. This reproduction is based on the copy in the Cleveland Museum of Art, and the file offered here measures 2212 × 3400 px (2.1 MB). Catalogued under Paintings, in portrait format. Archive Lane holds 13 works by Basavana.
Basava (1131–1196), also called Basavēśvara and Basavaṇṇa, was an Indian philosopher, poet, Lingayat social reformer in the Shiva-focused bhakti movement, and a Hindu Shaivite social reformer during the reign of the Kalyani Chalukya and the Kalachuri Dynasty. Basava was active during the rule of both dynasties, but his influence peaked during the reign of King Bijjala II in Karnataka, India.
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Frequently asked questions
The donkey, in a tiger’s skin, reveals his identity by braying aloud, from a Tuti-nama (Tales of a Parrot): Thirty-first Night is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
