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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The face of a man in a state of anger Wall Art
ART BY: Charles Le Brun
The face of a man in a state of anger Wall Art
ART BY: Charles Le Brun
Standard, 543 × 800pxWEBP · Free
DownloadMax Size, 4,074 × 6,000pxJPG, Size: 3.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$182.99XL · 20″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The face of a man in a state of anger is an intaglio prints by Charles Le Brun (1619–1690). The artist is catalogued as French. The original is held by the Wellcome Collection, and the file offered here measures 4074 × 6000 px (3.8 MB). You will find it among Drawings and Baroque, in portrait format. Archive Lane holds 184 works by Charles Le Brun, a French artist.
Charles Le Brun was a French painter, physiognomist, art theorist, and a director of several art schools of his time. He served as a court painter to Louis XIV, who declared him "the greatest French artist of all time".
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Le Brun →
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The face of a man in a state of anger is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
