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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Healing of the Sick, from "Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze" (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) Wall Art
ART BY: Jacques Callot
The Healing of the Sick, from "Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze" (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) Wall Art
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- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Healing of the Sick, from "Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze" (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) is an engraving; second state of two (lieure) by Jacques Callot (1592–1635), dated 1619. The artist is catalogued as French. The source scan comes from the The Metropolitan Museum of Art, and the file offered here measures 1585 × 2454 px (1.8 MB). It is filed under Prints and Baroque, in portrait format. Archive Lane holds 3,293 works by Jacques Callot, a French artist.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine. He is an important person in the development of the old master print.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Jacques Callot →
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Frequently asked questions
The Healing of the Sick, from "Scelta d'Alcuni Miracoli e Grazie della Santissima Nunziata di Firenze" (Selection of Some Miracles and Graces that Occurred in the Church of the Annunziata in Florence) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
