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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Interior Of The Colosseum With Figures Resting Under An Archway Wall Art
ART BY: Jan Frans Van Bloemen
The Interior Of The Colosseum With Figures Resting Under An Archway Wall Art
ART BY: Jan Frans Van Bloemen
Standard, 721 × 800pxWEBP · Free
DownloadMax Size, 3,603 × 4,000pxJPG, Size: 9.7 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 24″ × 24″
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$155.99Large · 24″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
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- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Interior Of The Colosseum With Figures Resting Under An Archway is a public-domain artwork by Jan Frans Van Bloemen (1662–1749). The artist is catalogued as Belgian. The high-resolution file measures 3603 × 4000 px (9.7 MB). Catalogued under Landscape, in portrait format. Archive Lane holds 25 works by Jan Frans Van Bloemen, a Flemish artist.
Jan Frans van Bloemen was a Flemish landscape painter mainly active in Rome. Here he was able to establish himself as the leading painter of views (vedute) of the Roman countryside depicted in the aesthetic of the classical landscape tradition.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Jan Frans Van Bloemen →
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Frequently asked questions
The Interior Of The Colosseum With Figures Resting Under An Archway is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
