Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

The Maple Sugar Camp-Turning Off, a painting by Eastman Johnson (1824–1906), dated 1869. The source copy is at Wikimedia Commons; the file offered here is 2,446 × 1,102 pixels. It is filed under Realism within American art. The work is in the public domain, so the full-resolution file can be downloaded and printed without licence restrictions.
View all artworks by Eastman Johnson→
| Artist | Eastman Johnson |
| Year | 1869 |
| Medium | Painting |
| Origin | Wikimedia Commons |
| Category | Paintings |
| Style | Realism |
| Color | Brown |
| Resolution | 2446x1102 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 594998 |
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This public domain artwork is offered as an original high-resolution digital download.
The Maple Sugar Camp-Turning Off is a painting by Eastman Johnson (1824–1906), dated 1869. The artist is catalogued as American. This reproduction is based on the copy in the Wikimedia Commons, and the file offered here measures 2446 × 1102 px (0.8 MB). Catalogued under Paintings and Realism, in landscape format. Archive Lane holds 123 works by Eastman Johnson, an American artist.
Jonathan Eastman Johnson was an American painter and co-founder of the Metropolitan Museum of Art, New York City, with his name inscribed at its entrance. He was best known for his genre paintings, paintings of scenes from everyday life, and his portraits both of everyday people and prominent Americans such as Abraham Lincoln, Nathaniel Hawthorne, Ralph Waldo Emerson, and Henry Wadsworth Longfellow.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Eastman Johnson →
The Maple Sugar Camp-Turning Off is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.