Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

The Meeting of Wellington and Blücher after the Battle of Waterloo, a painting by Daniel Maclise (1806–1870), dated 1861. The source copy is at Wikimedia Commons; the file offered here is 3,000 × 776 pixels. Catalogued under Realism, it belongs to the Irish tradition. The work is in the public domain, so the full-resolution file can be downloaded and printed without licence restrictions.
View all artworks by Daniel Maclise→
| Artist | Daniel Maclise |
| Year | 1861 |
| Medium | Painting |
| Origin | Wikimedia Commons |
| Category | Prints |
| Style | Realism |
| Color | Gray |
| Resolution | 3000x776 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 562301 |
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This public domain artwork is offered as an original high-resolution digital download.
The Meeting of Wellington and Blücher after the Battle of Waterloo is a painting by Daniel Maclise (1806–1870), dated 1861. The artist is catalogued as Irish. This reproduction is based on the copy in the Wikimedia Commons, and the file offered here measures 3000 × 776 px (0.9 MB). Catalogued under Prints and Realism, in landscape format. Archive Lane holds 48 works by Daniel Maclise, an Irish artist.
Daniel Maclise was an Irish history painter, literary and portrait painter, and illustrator, who worked for most of his life in London, England. His works included a series of murals at the Palace of Westminster, among them The Death of Nelson.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Daniel Maclise →
The Meeting of Wellington and Blücher after the Battle of Waterloo is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.