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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Pit and the Pendulum, second Plate Wall Art
ART BY: Alphonse Legros
The Pit and the Pendulum, second Plate Wall Art
ART BY: Alphonse Legros
Standard, 800 × 584pxWEBP · Free
DownloadMax Size, 3,000 × 2,189pxJPG, Size: 3.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 16″
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$101.99Medium · 12″ × 16″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Pit and the Pendulum, second Plate is an etching on ivory laid paper by Alphonse Legros (1837–1911), dated 1861. The artist is catalogued as French. The original is held by the Art Institute of Chicago, and the file offered here measures 3000 × 2189 px (3.4 MB). You will find it among Prints and Realism, in landscape format. Archive Lane holds 1,060 works by Alphonse Legros, a French artist.
Alphonse Legros was a French, later British, painter, etcher, sculptor, and medallist. He moved to London in 1863 and later was naturalized as British.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Alphonse Legros →
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The Pit and the Pendulum, second Plate is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
