Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The presentation in the temple Wall Art
ART BY: Rembrandt
The presentation in the temple Wall Art
ART BY: Rembrandt
Standard, 604 × 800pxWEBP · Free
DownloadMax Size, 4,530 × 6,000pxJPG, Size: 5.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 32″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The presentation in the temple is a mezzotints by Rembrandt (1606–1669), dated 1835. The artist is catalogued as Dutch. The original is held by the Wellcome Collection, and the file offered here measures 4530 × 6000 px (5.1 MB). You will find it among Prints and Baroque, in portrait format. Archive Lane holds 64 works by Rembrandt, a Dutch artist.
Rembrandt Harmenszoon van Rijn, known mononymously as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in the history of Western art.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Rembrandt →
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Frequently asked questions
The presentation in the temple is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
