Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Reeds and the Wind Wall Art
ART BY: Jacques Callot
The Reeds and the Wind Wall Art
ART BY: Jacques Callot
Standard, 800 × 598pxWEBP · Free
DownloadMax Size, 3,405 × 2,544pxJPG, Size: 2.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 18″ × 24″
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Reeds and the Wind is a print, etching on laid paper by Jacques Callot (1592–1635), dated 1628. The artist is catalogued as French. This reproduction is based on the copy in the National Gallery of Art, and the file offered here measures 3405 × 2544 px (2.1 MB). Catalogued under Drawings and Baroque, in landscape format. Archive Lane holds 3,293 works by Jacques Callot, a French artist.
Jacques Callot was a baroque printmaker and draftsman from the Duchy of Lorraine. He is an important person in the development of the old master print.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Jacques Callot →
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Frequently asked questions
The Reeds and the Wind is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
