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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

The Seine from the Pont du Carrousel Looking towards Notre Dame, a photograph, salted paper print by Charles Marville (1813–1879), dated 1853. The source copy is at the National Gallery of Art; the file offered here is 4,096 × 1,567 pixels. It is filed under Drawings within French art. The work is in the public domain, so the full-resolution file can be downloaded and printed without licence restrictions.
View all artworks by Charles Marville→
| Artist | Charles Marville |
| Year | 1853 |
| Medium | Photograph, salted paper print |
| Origin | National Gallery of Art |
| Category | Drawings |
| Style | 19th century |
| Resolution | 4096x1567 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 737978 |
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This public domain artwork is offered as an original high-resolution digital download.
The Seine from the Pont du Carrousel Looking towards Notre Dame is a photograph, salted paper print by Charles Marville (1813–1879), dated 1853. The artist is catalogued as French. This reproduction is based on the copy in the National Gallery of Art, and the file offered here measures 4096 × 1567 px (1.3 MB). Catalogued under Drawings, in landscape format. Archive Lane holds 37 works by Charles Marville, a French artist.
Charles Marville, the pseudonym of Charles François Bossu, was a French photographer, who mainly photographed architecture, landscapes and the urban environment. He used both paper and glass negatives.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Marville →
The Seine from the Pont du Carrousel Looking towards Notre Dame is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.