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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The Wash-house (Le lavoir) Wall Art
ART BY: Auguste Louis Lepère
The Wash-house (Le lavoir) Wall Art
ART BY: Auguste Louis Lepère
Standard, 800 × 465pxWEBP · Free
DownloadMax Size, 4,096 × 2,383pxJPG, Size: 2.8 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 16″ × 24″
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$131.99Large · 16″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
The Wash-house (Le lavoir) is a print, etching in brown on buff paper by Auguste Louis Lepère (1849–1918), dated 1891. The artist is catalogued as French. This reproduction is based on the copy in the National Gallery of Art, and the file offered here measures 4096 × 2383 px (2.8 MB). Catalogued under Drawings, in landscape format. Archive Lane holds 590 works by Auguste Louis Lepère, a French artist.
Louis-Auguste Lepère was a French painter and etcher. Lepère is also considered a leader in the creative revival of wood engraving in Europe.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Auguste Louis Lepère →
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Frequently asked questions
The Wash-house (Le lavoir) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
