Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Tiger Stalking Prey Wall Art
ART BY: Antoine-Louis Barye
Tiger Stalking Prey Wall Art
ART BY: Antoine-Louis Barye
Standard, 800 × 430pxWEBP · Free
DownloadMax Size, 3,843 × 2,065pxJPG, Size: 2.2 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 12″ × 24″
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$115.99Large · 12″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Tiger Stalking Prey is a watercolor by Antoine-Louis Barye (1795–1875), dated 1875. The artist is catalogued as French. The original is held by the The Metropolitan Museum of Art, and the file offered here measures 3843 × 2065 px (2.2 MB). You will find it among Drawings and Romanticism, in landscape format. Archive Lane holds 95 works by Antoine-Louis Barye, a French artist.
Antoine-Louis Barye was a Romantic French sculptor known for his work as an animalier, a sculptor of animals. His son and student was the sculptor Alfred Barye.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Antoine-Louis Barye →
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Frequently asked questions
Tiger Stalking Prey is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
