Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Time and Eternity Wall Art
ART BY: John Haberle
Time and Eternity Wall Art
ART BY: John Haberle
Standard, 593 × 800pxWEBP · Free
DownloadMax Size, 3,079 × 4,152pxJPG, Size: 2.1 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeLarge · 18″ × 24″
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$136.99Large · 18″ × 24″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Time and Eternity is a painting by John Haberle (1856–1933), dated 1889. The artist is catalogued as American. This reproduction is based on the copy in the Wikimedia Commons, and the file offered here measures 3079 × 4152 px (2.1 MB). Catalogued under Paintings and Impressionism, in portrait format. Archive Lane holds 11 works by John Haberle, an American artist.
John Haberle (1856–1933) was an American painter in the trompe-l'œil style. His still lifes of ordinary objects are painted in such a way that the painting can be mistaken for the objects themselves.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by John Haberle →
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Frequently asked questions
Time and Eternity is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
