Hesap

Müze kalitesinde, halka açık (kamu malı) binlerce sanat eserini kanvas tabloya dönüştürüyoruz — kapınıza kadar gönderiyoruz.

info@archivelane.com

4.86 puan · 40 değerlendirme · 400 satış Etsy mağazasında · 2021'den beri satışta

Keşfet

Konular
Akımlar
Usta Ressamlar
İstanbul & Oryantalizm
Sanatçılar
Tüm Kanvas Tablolar

Yardım

Siparişimi Takip Et
İletişim
Teslimat & Kargo
İade & İptal
Ölçü Rehberi
Destek
Hakkımızda

Ülke

© 2026 Archive Lane. Tüm hakları saklıdır.Archive Lane, Orhan Nerkiz'in ticari unvanıdır.

Gizlilik & KVKK Verilerim Mesafeli Satış Sözleşmesi Çerez Politikası Ön Bilgilendirme Formu

ANA SAYFA>Koleksiyonlar>USTA RESSAMLAR

Usta Ressamlar

Usta Ressamlar

KOLEKSİYON

12.409 eser

SIRALA: A — Z

Öne Çıkanlar En Yeniler En Eskiler A — Z

12.409 KANVAS TABLO

Pinning The Hat 2

Pinning The Hat 2 Pierre-Auguste Renoir

Pinning The Hat

Pinning The Hat Pierre-Auguste Renoir

Pituiton Met De Lange Neus

Pituiton Met De Lange Neus James Ensor

Plage A Maree Basse

Plage A Maree Basse Edgar Degas

Plague Here Plague There Plague Everywhere

Plague Here Plague There Plague Everywhere James Ensor

Plakat Der 18 Ausstellung Der Secession

Plakat Der 18 Ausstellung Der Secession Gustav Klimt

Plakat Der 1 Ausstellung Der Secession

Plakat Der 1 Ausstellung Der Secession Gustav Klimt

Plakat Fur Die Erste Ausstellung Der Neuen Kunstlervereinigung Munchen

Plakat Fur Die Erste Ausstellung Der Neuen Kunstlervereinigung Munchen Wassily Kandinsky

Plakat Fur Die Erste Ausstellung Der Phalanx

Plakat Fur Die Erste Ausstellung Der Phalanx Wassily Kandinsky

Planteuse De Pommes De Terre

Planteuse De Pommes De Terre Vincent van Gogh

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid Goya (Francisco de Goya y Lucientes)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)Goya (Francisco de Goya y Lucientes)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor [do these] either' (Tampoco)Goya (Francisco de Goya y Lucientes)

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)Goya (Francisco de Goya y Lucientes)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)Goya (Francisco de Goya y Lucientes)

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull Goya (Francisco de Goya y Lucientes)

Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)

Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)Goya (Francisco de Goya y Lucientes)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)Goya (Francisco de Goya y Lucientes)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): Not even in that way (Ni por esas)Goya (Francisco de Goya y Lucientes)

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms Goya (Francisco de Goya y Lucientes)

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)

Plate 12 from "Los Caprichos": Out hunting for teeth (A caza de dientes)Goya (Francisco de Goya y Lucientes)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)Goya (Francisco de Goya y Lucientes)

Plate 13 from "Los Caprichos": They are hot (Estan calientes)

Plate 13 from "Los Caprichos": They are hot (Estan calientes)Goya (Francisco de Goya y Lucientes)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)Goya (Francisco de Goya y Lucientes)

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants Goya (Francisco de Goya y Lucientes)

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body Goya (Francisco de Goya y Lucientes)

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)

Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)Goya (Francisco de Goya y Lucientes)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): It's a hard step! (Duro es el paso!)Goya (Francisco de Goya y Lucientes)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)Goya (Francisco de Goya y Lucientes)

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body Goya (Francisco de Goya y Lucientes)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)Goya (Francisco de Goya y Lucientes)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)Goya (Francisco de Goya y Lucientes)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)Goya (Francisco de Goya y Lucientes)

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)

Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)

Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)Goya (Francisco de Goya y Lucientes)

Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)

Plate 16 from "The Disasters of War" (Los Desastres de La Guerra): They make use of them (Se aprovechan)Goya (Francisco de Goya y Lucientes)

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)

Plate 17 from "The Disasters of War" (Los Desastres de la Guerra): 'They do not agree' (No se convienen)Goya (Francisco de Goya y Lucientes)

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls Goya (Francisco de Goya y Lucientes)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)Goya (Francisco de Goya y Lucientes)

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)

Plate 18 from "Los Caprichos": And his house is on fire (Ysele quema la Casa)Goya (Francisco de Goya y Lucientes)

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Plate 18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)Goya (Francisco de Goya y Lucientes)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)Goya (Francisco de Goya y Lucientes)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): Bury them and keep quiet (Enterrar y callar)Goya (Francisco de Goya y Lucientes)

« Önceki1…139140141…259Sonraki »

Usta Ressamlar — Archive Lane Türkiye