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Usta Ressamlar
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12.409 KANVAS TABLO

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)Goya (Francisco de Goya y Lucientes)

Isabel de Bourbon on horseback, after Velázquez

Isabel de Bourbon on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Philip IV on horseback, after Velázquez

Philip IV on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Portrait of the court dwarf known as el Primo, after Velázquez

Portrait of the court dwarf known as el Primo, after Velázquez Goya (Francisco de Goya y Lucientes)

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Aesop, after Velázquez

Aesop, after Velázquez Goya (Francisco de Goya y Lucientes)

Menippus, after Velázquez

Menippus, after Velázquez Goya (Francisco de Goya y Lucientes)

Portrait of the court dwarf El Primo, after Velázquez

Portrait of the court dwarf El Primo, after Velázquez Goya (Francisco de Goya y Lucientes)

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)Goya (Francisco de Goya y Lucientes)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)Goya (Francisco de Goya y Lucientes)

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)Goya (Francisco de Goya y Lucientes)

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)Goya (Francisco de Goya y Lucientes)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)Goya (Francisco de Goya y Lucientes)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)Goya (Francisco de Goya y Lucientes)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)Goya (Francisco de Goya y Lucientes)

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)Goya (Francisco de Goya y Lucientes)

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)Goya (Francisco de Goya y Lucientes)

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)Goya (Francisco de Goya y Lucientes)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)Goya (Francisco de Goya y Lucientes)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)Goya (Francisco de Goya y Lucientes)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)Goya (Francisco de Goya y Lucientes)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)

Plate 14 from "The Disasters of War" (Los Desastres de la Guerra): 'It's a Hard Step!' (Duro es el paso!)Goya (Francisco de Goya y Lucientes)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)

Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): 'And there is no help' (Y no hai remedio)Goya (Francisco de Goya y Lucientes)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)

Plate 10 from "The Disasters of War" (Los Desastres de la Guerra): 'Nor do these' (Tampoco)Goya (Francisco de Goya y Lucientes)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)

Plate 11 from "The Disasters of War" (Los Desastres de la Guerra): 'Neither do these' (Ni por esas)Goya (Francisco de Goya y Lucientes)

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)

'Feminine Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

The Photographer Sescau (Le Photographe Sescau)

The Photographer Sescau (Le Photographe Sescau)Henri de Toulouse-Lautrec

Ambassadeurs: Aristide Bruant

Ambassadeurs: Aristide Bruant Henri de Toulouse-Lautrec

Moulin Rouge: La Goulue

Moulin Rouge: La Goulue Henri de Toulouse-Lautrec

Aristide Bruant, at His Cabaret

Aristide Bruant, at His Cabaret Henri de Toulouse-Lautrec

Luce Myrès (Front View)

Luce Myrès (Front View)Henri de Toulouse-Lautrec

Seated Giant

Seated Giant Goya (Francisco de Goya y Lucientes)

Self-Portrait

Self-Portrait Goya (Francisco de Goya y Lucientes)

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"

Lovers Sitting on a Rock; folio 24 (verso) from the Madrid Album "B"Goya (Francisco de Goya y Lucientes)

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"

A young woman dancing, her arms raised, a bull in the background; folio 23 (recto) from the Madrid Album "B"Goya (Francisco de Goya y Lucientes)

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"

Humility versus Pride; a young man imploring an older man with other figures in front of them; folio 75 (recto) from the Madrid Album "B"Goya (Francisco de Goya y Lucientes)

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"

Two women helping a confessor to climb through a window; folio 78 (verso) from the Madrid Album "B"Goya (Francisco de Goya y Lucientes)

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"

Woman throwing a tantrum and pulling her hair; folio 94 (verso) from the Madrid Album "B"Goya (Francisco de Goya y Lucientes)

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)

You'll See Later; a man drinking, a woman trying to stop him; page 24 from the "Black Border Album" (E)Goya (Francisco de Goya y Lucientes)

Crowd in a Park; page 31 from the "Images of Spain" album (F)

Crowd in a Park; page 31 from the "Images of Spain" album (F)Goya (Francisco de Goya y Lucientes)

Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)

Monks in an interior (a cell?); page 33 from the "Images of Spain" Album (F)Goya (Francisco de Goya y Lucientes)

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)

A man and a woman riding a mule; page 36 from the "Images of Spain" Album (F)Goya (Francisco de Goya y Lucientes)

Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)

Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)Goya (Francisco de Goya y Lucientes)

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