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12.409 KANVAS TABLO

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)Goya (Francisco de Goya y Lucientes)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)Goya (Francisco de Goya y Lucientes)

Crowd in a Park; page 31 from the "Images of Spain" album (F)

Crowd in a Park; page 31 from the "Images of Spain" album (F)Goya (Francisco de Goya y Lucientes)

Salon des Cent: Exposition Internationale d'affiches

Salon des Cent: Exposition Internationale d'affiches Henri de Toulouse-Lautrec

Elles (portfolio cover)

Elles (portfolio cover)Henri de Toulouse-Lautrec

Léonie Yahne in her dressing room, in L'Age Difficile

Léonie Yahne in her dressing room, in L'Age Difficile Henri de Toulouse-Lautrec

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)Goya (Francisco de Goya y Lucientes)

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)Goya (Francisco de Goya y Lucientes)

The Husband-Confessor

The Husband-Confessor Jean Honoré Fragonard

Young pollards

Young pollards John Constable

The Flight into Egypt: a Night Piece

The Flight into Egypt: a Night Piece Rembrandt (Rembrandt van Rijn)

Édouard Manet, Bust-Length Portrait

Édouard Manet, Bust-Length Portrait Edgar Degas

The Holy Family with Three Hares

The Holy Family with Three Hares Albrecht Dürer

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon Goya (Francisco de Goya y Lucientes)

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body Goya (Francisco de Goya y Lucientes)

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike

Plate 27 from "La Tauromaquia": The celebrated picador, Fernando del Toro, draws the fierce beast on with his pike Goya (Francisco de Goya y Lucientes)

Jeu de Societe dans un Parc

Jeu de Societe dans un Parc Jean Honoré Fragonard

La Famille du Fermier

La Famille du Fermier Jean Honoré Fragonard

The Village Dressmakers

The Village Dressmakers Jean-François Millet

Glass Furnace: Murano (Murano – Glass Furnace)

Glass Furnace: Murano (Murano – Glass Furnace)James McNeill Whistler

The Relief Fund in Lancashire (for "Once a Week," July 26, 1862)

The Relief Fund in Lancashire (for "Once a Week," July 26, 1862)James McNeill Whistler

The Major's Daughter (for "Once a Week," June 21, 1862)

The Major's Daughter (for "Once a Week," June 21, 1862)James McNeill Whistler

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)

Plate10 from "The Disasters of War" (Los Desastres de la Guerra): Nor [do these] either (Tampoco)Goya (Francisco de Goya y Lucientes)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): They escape through the flames (Escapan entre las llamas)Goya (Francisco de Goya y Lucientes)

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)

Plate 34 from "The Disasters of War" (Los Desastres de La Guerra): 'On account of a knife' (Por una navaja)Goya (Francisco de Goya y Lucientes)

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)

Plate 62 from "The Disasters of War" (Los Desastres de la Guerra): 'The beds of death' (Las camas de la muerte)Goya (Francisco de Goya y Lucientes)

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)

Plate 42 from "The Disasters of War" (Los Desastres de la Guerra): 'Everything is topsy-turvey' (Todo va revuelto)Goya (Francisco de Goya y Lucientes)

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)

Plate 46 from "The Disasters of War" (Los Desastres de la Guerra): 'This is bad' (Esto es malo)Goya (Francisco de Goya y Lucientes)

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)

Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)Goya (Francisco de Goya y Lucientes)

'Merry Folly' from the 'Disparates' (Follies / Irrationalities)

'Merry Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

The Knight and Man-at-arms

The Knight and Man-at-arms Albrecht Dürer

The Nativity (copy)

The Nativity (copy)Albrecht Dürer

Christ among the Doctors, from "The Life of the Virgin"

Christ among the Doctors, from "The Life of the Virgin"Albrecht Dürer

Christ on the Mount of Olives, from "The Large Passion"

Christ on the Mount of Olives, from "The Large Passion"Albrecht Dürer

Ecce Homo, from "The Large Passion"

Ecce Homo, from "The Large Passion"Albrecht Dürer

Hercules Conquering the Molionide Twins

Hercules Conquering the Molionide Twins Albrecht Dürer

The Knight on the Horseback with Lansquenet

The Knight on the Horseback with Lansquenet Albrecht Dürer

Conrad Celtis Presenting His Book "Quatuor Libri Amorum" to Maximilian I (from the book)

Conrad Celtis Presenting His Book "Quatuor Libri Amorum" to Maximilian I (from the book)Albrecht Dürer

Christ in Limbo, from "The Large Passion", edition 1511

Christ in Limbo, from "The Large Passion", edition 1511 Albrecht Dürer

Lieven Willemsz van Coppenol, Writing Master: the Larger Plate (copy)

Lieven Willemsz van Coppenol, Writing Master: the Larger Plate (copy)Rembrandt (Rembrandt van Rijn)

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

Plate 19 of "La Tauromaquia": Another madness of his in the same ring Goya (Francisco de Goya y Lucientes)

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls Goya (Francisco de Goya y Lucientes)

The Standard Bearer (probably Floris Soop, 1604–1657)

The Standard Bearer (probably Floris Soop, 1604–1657)Rembrandt (Rembrandt van Rijn)

Uppiger Weiblicher Akt

Uppiger Weiblicher Akt Egon Schiele

Alma Mater Exploring Children

Alma Mater Exploring Children Edvard Munch

Vase Of Flowers 11

Vase Of Flowers 11 Henri Fantin-Latour

Portrat Leopold Czihaczek 2

Portrat Leopold Czihaczek 2 Egon Schiele

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