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12.409 KANVAS TABLO

After the Bath (large version)

After the Bath (large version)Edgar Degas

Man in a Coat and Fur Cap Leaning against a Bank

Man in a Coat and Fur Cap Leaning against a Bank Rembrandt (Rembrandt van Rijn)

Beggar with a Wooden Leg

Beggar with a Wooden Leg Rembrandt (Rembrandt van Rijn)

Cottage and Boundary Post on the Spaarndammerdijk ('L'Obelisque')

Cottage and Boundary Post on the Spaarndammerdijk ('L'Obelisque')Rembrandt (Rembrandt van Rijn)

Christ Crucified between the Two Thieves: The Three Crosses

Christ Crucified between the Two Thieves: The Three Crosses Rembrandt (Rembrandt van Rijn)

The Holy Family with Three Hares

The Holy Family with Three Hares Albrecht Dürer

A Young Girl Astride a Satyr

A Young Girl Astride a Satyr Jean Honoré Fragonard

Landscape with Three Gabled Cottages Beside a Road

Landscape with Three Gabled Cottages Beside a Road Rembrandt (Rembrandt van Rijn)

Plate 25 from "La Tauromaquia": They loose dogs on the bull

Plate 25 from "La Tauromaquia": They loose dogs on the bull Goya (Francisco de Goya y Lucientes)

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon

Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon Goya (Francisco de Goya y Lucientes)

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)

Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)Goya (Francisco de Goya y Lucientes)

Abduction of Proserpine

Abduction of Proserpine Albrecht Dürer

The Large Bathers (Les Baigneurs)

The Large Bathers (Les Baigneurs)Paul Cézanne

The Adoration of the Magi, from "The Life of the Virgin"

The Adoration of the Magi, from "The Life of the Virgin"Albrecht Dürer

The Adoration of the Magi

The Adoration of the Magi Albrecht Dürer

Adoration of the Shepherds: A Night Piece

Adoration of the Shepherds: A Night Piece Rembrandt (Rembrandt van Rijn)

Fanfan

Fanfan Jean Honoré Fragonard

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)

Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)Goya (Francisco de Goya y Lucientes)

Faust

Faust Rembrandt (Rembrandt van Rijn)

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull

Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull Goya (Francisco de Goya y Lucientes)

The Baptism of The Eunuch

The Baptism of The Eunuch Rembrandt (Rembrandt van Rijn)

Nemesis (The Great Fortune)

Nemesis (The Great Fortune)Albrecht Dürer

Ecce Homo, from the series The Large Passion

Ecce Homo, from the series The Large Passion Albrecht Dürer

The Toilet

The Toilet James McNeill Whistler

Two Horses Exercised by a Jockey

Two Horses Exercised by a Jockey Théodore Géricault

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

Saint Michael Fighting the Dragon, from "The Apocalypse"

Saint Michael Fighting the Dragon, from "The Apocalypse"Albrecht Dürer

Landscape with a Cannon

Landscape with a Cannon Albrecht Dürer

St. Jerome Reading in an Italian Landscape

St. Jerome Reading in an Italian Landscape Rembrandt (Rembrandt van Rijn)

The Sudarium Held by One Angel

The Sudarium Held by One Angel Albrecht Dürer

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules Goya (Francisco de Goya y Lucientes)

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)Goya (Francisco de Goya y Lucientes)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)Goya (Francisco de Goya y Lucientes)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)Goya (Francisco de Goya y Lucientes)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)Goya (Francisco de Goya y Lucientes)

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)Goya (Francisco de Goya y Lucientes)

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)Goya (Francisco de Goya y Lucientes)

Lieven Willemsz van Coppenol with his Grandson

Lieven Willemsz van Coppenol with his Grandson Rembrandt (Rembrandt van Rijn)

Édouard Manet, Seated, Turned to the Left

Édouard Manet, Seated, Turned to the Left Edgar Degas

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)Goya (Francisco de Goya y Lucientes)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)Goya (Francisco de Goya y Lucientes)

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)Goya (Francisco de Goya y Lucientes)

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)Goya (Francisco de Goya y Lucientes)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)Goya (Francisco de Goya y Lucientes)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)Goya (Francisco de Goya y Lucientes)

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)Goya (Francisco de Goya y Lucientes)

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