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The Happy Family (L'Heureuse fécondité)
Jean Honoré Fragonard
L'Education fait tout
Jean Honoré Fragonard
Le Chiffre d'Amour
Jean Honoré Fragonard
Les Jeunes Soeurs
Jean Honoré Fragonard
Le Paysan qui avait offense son Seigneur, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean Honoré Fragonard
Le Muletier, from "Contes et nouvelles en vers par Jean de La Fontaine. A Paris, de l'imprimerie de P. Didot, l'an III de la République, 1795"
Jean Honoré Fragonard
Le Temps Orageux
Jean Honoré Fragonard
L'Armoire
Jean Honoré Fragonard
Le Verrou
Jean Honoré Fragonard
Le Contrat
Jean Honoré Fragonard
Le Serment d'Amour
Jean Honoré Fragonard
Les Hazards heureux de l'Escarpolette (The Swing)
Jean Honoré Fragonard
La Bonne Mere
Jean Honoré Fragonard
Pelerinage a Saint Nicolas
Jean Honoré Fragonard
La Mere de Famille
Jean Honoré Fragonard
La Famille du Fermier
Jean Honoré Fragonard
La Fontaine d'Amour
Jean Honoré Fragonard
Le Songe d'Amour
Jean Honoré Fragonard
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
Goya (Francisco de Goya y Lucientes)
Plate 55 from "Los Caprichos": Until death (Hasta la muerte)
Goya (Francisco de Goya y Lucientes)
Plate 61 from "Los Caprichos": They have flown (Volaverunt)
Goya (Francisco de Goya y Lucientes)
View of Amsterdam from the Northwest
Rembrandt (Rembrandt van Rijn)
The Raising of Lazarus: The Larger Plate
Rembrandt (Rembrandt van Rijn)
Thomas Haaringh (Old Haaringh)
Rembrandt (Rembrandt van Rijn)
Four Naked Women
Albrecht Dürer
Heuvel met ruïne van Montmajour
Vincent van Gogh
Plate 42 from "Los Caprichos": Thou who canst not (Tu que no puedes)
Goya (Francisco de Goya y Lucientes)
Plate 14 from "Los Caprichos": What a sacrifice! (Que sacrificio!)
Goya (Francisco de Goya y Lucientes)
Plate 5 from "Los Caprichos": Two of a kind (Tal para qual)
Goya (Francisco de Goya y Lucientes)
Christ Driving the Money Changers from the Temple
Rembrandt (Rembrandt van Rijn)
Flight into Egypt: Altered from Tobias and the Angel by Hercules Segers
Rembrandt (Rembrandt van Rijn)
Descent from the Cross by Torchlight
Rembrandt (Rembrandt van Rijn)
Plate 58 from "The Disasters of War" (Los Desastres de la Guerra): 'It's no use crying out' (No hay que dar voces)
Goya (Francisco de Goya y Lucientes)
Descent from the Cross
Rembrandt (Rembrandt van Rijn)
Olympia
Edouard Manet
Plate 3 from "The Disasters of War" (Los Desastres de la Guerra): 'The same' (Lo mismo)
Goya (Francisco de Goya y Lucientes)
Plate 15 from "The Disasters of War" (Los Desastres de la Guerra): And there is nothing to be done (Y no hai remedio)
Goya (Francisco de Goya y Lucientes)
Woman Churning Butter
Jean-François Millet
Two Women Sewing by Lamplight
Jean-François Millet
Man Resting on a Spade
Jean-François Millet
Proof from a block of sketches
Jean-François Millet
Plate 26 from "La Tauromaquia": A picador is unhorsed and falls under the bull
Goya (Francisco de Goya y Lucientes)
Mid-Day, from "Four Times of the Day"
Jean-François Millet
Morning, from "Four Times of the Day"
Jean-François Millet
Night, from "Four Times of the Day"
Jean-François Millet
The Village Dressmakers
Jean-François Millet
Spinner from the Auvergne
Jean-François Millet
Plate 2 from "The Disasters of War" (Los Desastres de la Guerra): 'Rightly or wrongly' (Con razon ó sin ella)
Goya (Francisco de Goya y Lucientes)
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