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12.409 KANVAS TABLO

Farm Buildings Beside A Waterway

Farm Buildings Beside A Waterway Jean-Honoré Fragonard

Portrait Of Edmond Francois Aman Jean

Portrait Of Edmond Francois Aman Jean Georges Seurat

Version of Legend of Michizane: Woman Riding Ox Which a Man is Leading

Version of Legend of Michizane: Woman Riding Ox Which a Man is Leading Utagawa Toyohiro

“Shinobazu Pond [in Ueno]” (Shinobazu), from the series Three Shrines of the Goddess Benten (San Benten)

“Shinobazu Pond [in Ueno]” (Shinobazu), from the series Three Shrines of the Goddess Benten (San Benten)Katsushika Hokusai

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"

The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"Goya (Francisco de Goya y Lucientes)

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)

Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)Goya (Francisco de Goya y Lucientes)

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)

'Flying Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

Looking in a Mirror, from "Elles"

Looking in a Mirror, from "Elles"Henri de Toulouse-Lautrec

Léonie Yahne and Henry Mayer, in L'Age Difficile

Léonie Yahne and Henry Mayer, in L'Age Difficile Henri de Toulouse-Lautrec

Jane Avril, from "Le Café Concert"

Jane Avril, from "Le Café Concert"Henri de Toulouse-Lautrec

Débauché

Débauché Henri de Toulouse-Lautrec

Fastening a Corset, from "Elles"

Fastening a Corset, from "Elles"Henri de Toulouse-Lautrec

The Spanish Singer (Le Guitarrero)

The Spanish Singer (Le Guitarrero)Edouard Manet

Combat of the Giaour and the Pasha

Combat of the Giaour and the Pasha Eugène Delacroix

Two nude figures

Two nude figures Raphael (Raffaello Sanzio or Santi)

St. Paul preaching at Athens (Copy of Raphael's tapestry, reversed)

St. Paul preaching at Athens (Copy of Raphael's tapestry, reversed)Raphael (Raffaello Sanzio or Santi)

Horse's head

Horse's head Raphael (Raffaello Sanzio or Santi)

Tapestry Cartoon Fragment: The Top of Woman's Head with Hair Braided over a Cloth Headdress

Tapestry Cartoon Fragment: The Top of Woman's Head with Hair Braided over a Cloth Headdress Raphael (Raffaello Sanzio or Santi)

The Three Trees

The Three Trees Rembrandt (Rembrandt van Rijn)

Plate 25 from "La Tauromaquia": They loose dogs on the bull

Plate 25 from "La Tauromaquia": They loose dogs on the bull Goya (Francisco de Goya y Lucientes)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)Goya (Francisco de Goya y Lucientes)

La Fuite de Clelie

La Fuite de Clelie Jean Honoré Fragonard

Regent's Quadrant

Regent's Quadrant James McNeill Whistler

Suggestion by Whistler for his Portrait

Suggestion by Whistler for his Portrait James McNeill Whistler

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)

Plate 21 from "Los Caprichos": How they pluck her! (¡Qual la descañonan!)Goya (Francisco de Goya y Lucientes)

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)

Plate 33 from "Los Caprichos": To the Count Palatine (Al Conde Palatino)Goya (Francisco de Goya y Lucientes)

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)

Plate 45 from "Los Caprichos": There is Plenty to Suck (Mucho hay que chupar)Goya (Francisco de Goya y Lucientes)

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)

Plate 20 from "Los Caprichos": There they go plucked (i.e. fleeced) (Ya van desplumados)Goya (Francisco de Goya y Lucientes)

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)

Plate 65 from "Los Caprichos": Where is mom going? (Donde vá mamá?)Goya (Francisco de Goya y Lucientes)

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)

Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): Appeals are in vain (Clamores en vano)Goya (Francisco de Goya y Lucientes)

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)

Plate 59 from "The Disasters of War" (Los Desastres de la Guerra): 'What is the use of a cup?' ( De qué sirve una taza?)Goya (Francisco de Goya y Lucientes)

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)

Plate 63 from "The Disasters of War" (Los Desastres de la Guerra): 'Harvest of the dead' (Muertos recogidos)Goya (Francisco de Goya y Lucientes)

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)

Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)Goya (Francisco de Goya y Lucientes)

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)

Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)Goya (Francisco de Goya y Lucientes)

Frontispiece from "Liber Studiorum"

Frontispiece from "Liber Studiorum"Joseph Mallord William Turner

Madonna

Madonna Anders Zorn

The Nativity, from The Life of the Virgin, Latin Edition, 1511

The Nativity, from The Life of the Virgin, Latin Edition, 1511 Albrecht Dürer

Saint John Swallowing the Book, from "The Apocalypse", Latin Edition

Saint John Swallowing the Book, from "The Apocalypse", Latin Edition Albrecht Dürer

The Four Avenging Angels, from "The Apocalypse"

The Four Avenging Angels, from "The Apocalypse"Albrecht Dürer

The Betrothal of the Virgin, from "The Life of the Virgin"

The Betrothal of the Virgin, from "The Life of the Virgin"Albrecht Dürer

The Holy Family with the Three Hares

The Holy Family with the Three Hares Albrecht Dürer

Saint Peter

Saint Peter Albrecht Dürer

IIllustration from Dürer's "Vier Bucher von Menslicher Proportion"

IIllustration from Dürer's "Vier Bucher von Menslicher Proportion"Albrecht Dürer

Arms of Michel Beheim

Arms of Michel Beheim Albrecht Dürer

The Nativity, from The Life of the Virgin

The Nativity, from The Life of the Virgin Albrecht Dürer

The Babylonian Whore, from The Apocalypse. Facsimile

The Babylonian Whore, from The Apocalypse. Facsimile Albrecht Dürer

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