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12.409 KANVAS TABLO

Funereal Folly, from "The Disparates" (Follies / Irrationalities)

Funereal Folly, from "The Disparates" (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open

Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open Goya (Francisco de Goya y Lucientes)

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country

Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country Goya (Francisco de Goya y Lucientes)

Plate 2 from "La Tauromaquia": Another way of hunting on foot

Plate 2 from "La Tauromaquia": Another way of hunting on foot Goya (Francisco de Goya y Lucientes)

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure

Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure Goya (Francisco de Goya y Lucientes)

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas

Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas Goya (Francisco de Goya y Lucientes)

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring

Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring Goya (Francisco de Goya y Lucientes)

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse

Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse Goya (Francisco de Goya y Lucientes)

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid

Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza

Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza Goya (Francisco de Goya y Lucientes)

Plate 19 of "La Tauromaquia": Another madness of his in the same ring

Plate 19 of "La Tauromaquia": Another madness of his in the same ring Goya (Francisco de Goya y Lucientes)

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza

Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza Goya (Francisco de Goya y Lucientes)

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls

Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls Goya (Francisco de Goya y Lucientes)

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid

Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body

Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body Goya (Francisco de Goya y Lucientes)

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants

Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants Goya (Francisco de Goya y Lucientes)

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull

Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull Goya (Francisco de Goya y Lucientes)

Plate 31 of "La Tauromaquia": Banderillas with firecrackers

Plate 31 of "La Tauromaquia": Banderillas with firecrackers Goya (Francisco de Goya y Lucientes)

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull

Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull Goya (Francisco de Goya y Lucientes)

Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'

Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'Goya (Francisco de Goya y Lucientes)

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid

Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Don Baltasar Carlos on horseback, after Velázquez

Don Baltasar Carlos on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Geleerden in gesprek

Geleerden in gesprek Utagawa Kuniyoshi

Saint Sebald in a Niche

Saint Sebald in a Niche Albrecht Dürer

Figure Reading at a Table in an Interior at Night

Figure Reading at a Table in an Interior at Night Vilhelm Hammershøi

Self-portrait wearing a soft cap: full face, head only

Self-portrait wearing a soft cap: full face, head only Rembrandt van Rijn

Zelfportret met baret

Zelfportret met baret Rembrandt van Rijn

Self-portrait with a Broad Nose

Self-portrait with a Broad Nose Rembrandt van Rijn

Zelfportret, naar voren leunend

Zelfportret, naar voren leunend Rembrandt van Rijn

Self-portrait leaning forward: bust

Self-portrait leaning forward: bust Rembrandt van Rijn

Self-portrait in a soft hat and a patterned cloak

Self-portrait in a soft hat and a patterned cloak Rembrandt van Rijn

Self-portrait in a Soft Hat and Patterned Cloak

Self-portrait in a Soft Hat and Patterned Cloak Rembrandt van Rijn

Zelfportret met hoed met slappe rand en geborduurde mantel

Zelfportret met hoed met slappe rand en geborduurde mantel Rembrandt van Rijn

Self-portrait with Long, Bushy Hair

Self-portrait with Long, Bushy Hair Rembrandt van Rijn

Zelfportret met lange, verwarde haardos: alleen de kop

Zelfportret met lange, verwarde haardos: alleen de kop Rembrandt van Rijn

Self-portrait with long bushy hair: head only

Self-portrait with long bushy hair: head only Rembrandt van Rijn

Zelfportret, voorover geleund

Zelfportret, voorover geleund Rembrandt van Rijn

Self-portrait, frowning: bust

Self-portrait, frowning: bust Rembrandt van Rijn

Zelfportret met gefronst voorhoofd: buste

Zelfportret met gefronst voorhoofd: buste Rembrandt van Rijn

Titus

Titus Rembrandt van Rijn

Self-portrait in a Fur Cap

Self-portrait in a Fur Cap Rembrandt van Rijn

Zelfportret met baret en halsdoek, het gezicht in de schaduw: buste

Zelfportret met baret en halsdoek, het gezicht in de schaduw: buste Rembrandt van Rijn

Zelfportret etsend bij een raam

Zelfportret etsend bij een raam Rembrandt van Rijn

Jacob's ladder

Jacob's ladder Rembrandt van Rijn

De aanbidding der herders: nachtstuk

De aanbidding der herders: nachtstuk Rembrandt van Rijn

De aanbidding van de herders

De aanbidding van de herders Rembrandt van Rijn

De aanbidding der herders

De aanbidding der herders Rembrandt van Rijn

The Adoration of the Shepherds: Nocturne

The Adoration of the Shepherds: Nocturne Rembrandt van Rijn

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