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Usta Ressamlar
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12.409 eser

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12.409 KANVAS TABLO

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid

Plate 20 from "La Tauromaquia": The agility and audacity of Juanito Apiñani in [the ring] at Madrid Goya (Francisco de Goya y Lucientes)

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body

Plate 15 from "La Tauromaquia": The famous Martincho places the banderillas playing the bull with the movement of his body Goya (Francisco de Goya y Lucientes)

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms

Plate 12 from "La Tauromaquia": The crowd hamstrings the bull with lances, sickles, banderillas and other arms Goya (Francisco de Goya y Lucientes)

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid

Plate 10 from "La Tauromaquia": Charles V spearing a bull in the ring at Valladolid Goya (Francisco de Goya y Lucientes)

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous

Plate 6 from "La Tauromaquia": The Moors make a different play in the ring calling the bull with their burnous Goya (Francisco de Goya y Lucientes)

Fish Shop, Venice

Fish Shop, Venice James McNeill Whistler

Fishing Boat

Fishing Boat James McNeill Whistler

Théâtre Italien, from "Le Miroir"

Théâtre Italien, from "Le Miroir"Eugène Delacroix

La Belle Dame Endormie (The Beautiful Woman Asleep)

La Belle Dame Endormie (The Beautiful Woman Asleep)James McNeill Whistler

Weary

Weary James McNeill Whistler

Little Venice (The Little Venice)

Little Venice (The Little Venice)James McNeill Whistler

Beggar Leaning on a Stick, Facing Left

Beggar Leaning on a Stick, Facing Left Rembrandt (Rembrandt van Rijn)

Jan Lutma

Jan Lutma Rembrandt (Rembrandt van Rijn)

The Entombment

The Entombment Rembrandt (Rembrandt van Rijn)

The Windmill

The Windmill Rembrandt (Rembrandt van Rijn)

Landscape with a Path between Trees

Landscape with a Path between Trees Auguste Renoir

Bathers (recto); Landscape (verso)

Bathers (recto); Landscape (verso)Paul Cézanne

Sorrow

Sorrow Egon Schiele

Portrait of Paris von Gütersloh

Portrait of Paris von Gütersloh Egon Schiele

Girl

Girl Egon Schiele

Women, Animals, and Foliage

Women, Animals, and Foliage Paul Gauguin

The Bagpiper

The Bagpiper Albrecht Dürer

The Gleaners

The Gleaners Jean-François Millet

Small Woodcut Passion

Small Woodcut Passion Albrecht Dürer

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)

Plate 5 from "The Disasters of War" (Los Desastres de la Guerra): 'And they are like wild beasts' (Y son fieras)Goya (Francisco de Goya y Lucientes)

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)

Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)Goya (Francisco de Goya y Lucientes)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)

Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)Goya (Francisco de Goya y Lucientes)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)

Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)Goya (Francisco de Goya y Lucientes)

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)

Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)Goya (Francisco de Goya y Lucientes)

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)

Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)Goya (Francisco de Goya y Lucientes)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)

Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)Goya (Francisco de Goya y Lucientes)

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)

Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)Goya (Francisco de Goya y Lucientes)

Édouard Manet, Seated, Turned to the Left

Édouard Manet, Seated, Turned to the Left Edgar Degas

Lieven Willemsz van Coppenol with his Grandson

Lieven Willemsz van Coppenol with his Grandson Rembrandt (Rembrandt van Rijn)

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)

Plate 66 from "Los Caprichos": There it goes (Allá vá eso)Goya (Francisco de Goya y Lucientes)

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)

Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)Goya (Francisco de Goya y Lucientes)

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)

Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)Goya (Francisco de Goya y Lucientes)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)

Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)Goya (Francisco de Goya y Lucientes)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)

Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)Goya (Francisco de Goya y Lucientes)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)

Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)Goya (Francisco de Goya y Lucientes)

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)

Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)Goya (Francisco de Goya y Lucientes)

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid

Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid Goya (Francisco de Goya y Lucientes)

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules

Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules Goya (Francisco de Goya y Lucientes)

The Sudarium Held by One Angel

The Sudarium Held by One Angel Albrecht Dürer

St. Jerome Reading in an Italian Landscape

St. Jerome Reading in an Italian Landscape Rembrandt (Rembrandt van Rijn)

Landscape with a Cannon

Landscape with a Cannon Albrecht Dürer

Saint Michael Fighting the Dragon, from "The Apocalypse"

Saint Michael Fighting the Dragon, from "The Apocalypse"Albrecht Dürer

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)

Disorderly Folly, from "The Disparates" (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

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