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12.409 KANVAS TABLO

L'Exemple de Ninon de Lenclos, Amoureuse

L'Exemple de Ninon de Lenclos, Amoureuse Henri de Toulouse-Lautrec

Jouets De Paris

Jouets De Paris Henri de Toulouse-Lautrec

Sketchbook with views of Tours, France and its environs

Sketchbook with views of Tours, France and its environs Eugène Delacroix

Two Sleeping Children

Two Sleeping Children William Bouguereau

Your Mouth (from Les Vieilles Histoires)

Your Mouth (from Les Vieilles Histoires)Henri de Toulouse-Lautrec

Men Spitting at a Fire

Men Spitting at a Fire Goya (Francisco de Goya y Lucientes)

Studies of a tree (recto and verso)

Studies of a tree (recto and verso)Paul Cézanne

Philip III, King of Spain on horseback, after Velázquez

Philip III, King of Spain on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

For You!…, from "The Old Tales"

For You!…, from "The Old Tales"Henri de Toulouse-Lautrec

Aristide Bruant, dans son cabaret

Aristide Bruant, dans son cabaret Henri de Toulouse-Lautrec

Elles (poster for 1896 exhibition at La Plume)

Elles (poster for 1896 exhibition at La Plume)Henri de Toulouse-Lautrec

Louise Blouet "Le Margoin"

Louise Blouet "Le Margoin"Henri de Toulouse-Lautrec

Léonie Yahne and Henry Mayer, in L'Age Difficile

Léonie Yahne and Henry Mayer, in L'Age Difficile Henri de Toulouse-Lautrec

"Les Vieux Messieurs" (The Old Gentlemen)

"Les Vieux Messieurs" (The Old Gentlemen)Henri de Toulouse-Lautrec

Réjane and Galipaux, in Madame Sans-Géne

Réjane and Galipaux, in Madame Sans-Géne Henri de Toulouse-Lautrec

Au Pied du Sinaï

Au Pied du Sinaï Henri de Toulouse-Lautrec

Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)

Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)Goya (Francisco de Goya y Lucientes)

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)

Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)Goya (Francisco de Goya y Lucientes)

Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso)

Bathers Under a Bridge (recto); Study after Houdon's Ecorché (verso)Paul Cézanne

At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre

At the Théâtre de la Renaissance: Sarah Bernhardt in Phèdre Henri de Toulouse-Lautrec

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)

Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)Goya (Francisco de Goya y Lucientes)

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)

Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)Goya (Francisco de Goya y Lucientes)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)

Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)Goya (Francisco de Goya y Lucientes)

Announcement for the Théâtre de L'Oeuvre

Announcement for the Théâtre de L'Oeuvre Henri de Toulouse-Lautrec

The garroted man (El agarrotado)

The garroted man (El agarrotado)Goya (Francisco de Goya y Lucientes)

Self-Portrait; Plate 1 from "Los Caprichos"

Self-Portrait; Plate 1 from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

May Belfort, Title page for "Treize Lithographies"

May Belfort, Title page for "Treize Lithographies"Henri de Toulouse-Lautrec

Marie-Louise Marsy

Marie-Louise Marsy Henri de Toulouse-Lautrec

The Final Outing, "from The Old Tales"

The Final Outing, "from The Old Tales"Henri de Toulouse-Lautrec

Sleepless Night (from Les Vieilles Histoires)

Sleepless Night (from Les Vieilles Histoires)Henri de Toulouse-Lautrec

Guy and Mealy, in Paris Qui Marche

Guy and Mealy, in Paris Qui Marche Henri de Toulouse-Lautrec

Léonie Yahne in her dressing room, in L'Age Difficile

Léonie Yahne in her dressing room, in L'Age Difficile Henri de Toulouse-Lautrec

André Antoine and Fermin Gémier in "A Bankruptcy"

André Antoine and Fermin Gémier in "A Bankruptcy"Henri de Toulouse-Lautrec

Why Not? . . . Once is Not to Make a Habit of It

Why Not? . . . Once is Not to Make a Habit of It Henri de Toulouse-Lautrec

Collapsed on the Bed, from "Elles"

Collapsed on the Bed, from "Elles"Henri de Toulouse-Lautrec

Fastening a Corset – A Passing Conquest, from "Elles"

Fastening a Corset – A Passing Conquest, from "Elles"Henri de Toulouse-Lautrec

Getting Up, from "Elles"

Getting Up, from "Elles"Henri de Toulouse-Lautrec

Combing Hair, from "Elles"

Combing Hair, from "Elles"Henri de Toulouse-Lautrec

Looking in a Mirror, from "Elles"

Looking in a Mirror, from "Elles"Henri de Toulouse-Lautrec

Washing, from "Elles"

Washing, from "Elles"Henri de Toulouse-Lautrec

Filling a Tub, from "Elles"

Filling a Tub, from "Elles"Henri de Toulouse-Lautrec

Waking Up, from "Elles"

Waking Up, from "Elles"Henri de Toulouse-Lautrec

Serving Breakfast (Madame Baron and Mademoiselle Popo), from "Elles"

Serving Breakfast (Madame Baron and Mademoiselle Popo), from "Elles"Henri de Toulouse-Lautrec

The Seated Clowness (Mademoiselle Cha-u-ka-o), from "Elles"

The Seated Clowness (Mademoiselle Cha-u-ka-o), from "Elles"Henri de Toulouse-Lautrec

Elles (portfolio cover)

Elles (portfolio cover)Henri de Toulouse-Lautrec

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'

Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'Goya (Francisco de Goya y Lucientes)

At the Moulin Rouge: La Goulue and Her Sister

At the Moulin Rouge: La Goulue and Her Sister Henri de Toulouse-Lautrec

Salon des Cent: Exposition Internationale d'affiches

Salon des Cent: Exposition Internationale d'affiches Henri de Toulouse-Lautrec

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