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Usta Ressamlar
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12.409 eser

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Öne Çıkanlar En Yeniler En Eskiler A — Z

12.409 KANVAS TABLO

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)

Plate 13 from "The Disasters of War" (Los Desastres de la Guerra): 'Bitter to be Present' (Amarga presencia)Goya (Francisco de Goya y Lucientes)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)

Plate 12 from "The Disasters of War" (Los Desastres de la Guerra): 'This is what you were born for' (Para eso habeis nacido)Goya (Francisco de Goya y Lucientes)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)

Plate18 from "The Disasters of War" (Los Desastres de la Guerra): 'Bury them and keep quiet' (Enterrar y callar)Goya (Francisco de Goya y Lucientes)

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)

Plate 24 from "The Disasters of War" (Los Desastres de la Guerra): 'They can still be of use' (Aun podrán servir)Goya (Francisco de Goya y Lucientes)

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)

Plate 22 from "The Disasters of War" (Los Desastres de la Guerra): 'Even worse' (Tanto y mas)Goya (Francisco de Goya y Lucientes)

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)

Plate 21 from "The Disasters of War" (Los Desastres de la Guerra): 'It will be the same' (Será lo mismo)Goya (Francisco de Goya y Lucientes)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)

Plate 20 from "The Disasters of War" (Los Desastres de la Guerra): 'Get them well, and on to the next' (Curarlos y á otra)Goya (Francisco de Goya y Lucientes)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)

Plate 41 from "The Disasters of War" (Los Desastres de La Guerra): 'They escape through the flames' (Escapan entre las llamas)Goya (Francisco de Goya y Lucientes)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)

Plate 30 from "The Disasters of War" (Los Desastres de la Guerra): 'Ravages of War' (Estragos de la guerra)Goya (Francisco de Goya y Lucientes)

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)

Plate 25 from "The Disasters of War" (Los Desastres de la Guerra): 'These too' (Tambien estos)Goya (Francisco de Goya y Lucientes)

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)

Plate 23 from "The Disasters of War" (Los Desastres de la Guerra): 'The Same Elsewhere' (Lo mismo en otras partes)Goya (Francisco de Goya y Lucientes)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)

Plate 44 from "The Disasters of War" (Los Desastres de la Guerra): 'I saw it' (Yo lo vi)Goya (Francisco de Goya y Lucientes)

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)

Plate 27 from "The Disasters of War" (Los Desastres de la Guerra): 'Charity' (Caridad)Goya (Francisco de Goya y Lucientes)

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)

'Funereal Folly' from the 'Disparates' (Follies / Irrationalities)Goya (Francisco de Goya y Lucientes)

Portrait of the court dwarf El Primo, after Velázquez

Portrait of the court dwarf El Primo, after Velázquez Goya (Francisco de Goya y Lucientes)

Menippus, after Velázquez

Menippus, after Velázquez Goya (Francisco de Goya y Lucientes)

Aesop, after Velázquez

Aesop, after Velázquez Goya (Francisco de Goya y Lucientes)

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez

Gaspar de Guzmán, Count Duke of Olivares on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Portrait of the court dwarf known as el Primo, after Velázquez

Portrait of the court dwarf known as el Primo, after Velázquez Goya (Francisco de Goya y Lucientes)

Philip IV on horseback, after Velázquez

Philip IV on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Isabel de Bourbon on horseback, after Velázquez

Isabel de Bourbon on horseback, after Velázquez Goya (Francisco de Goya y Lucientes)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)

Plate 17: They do not agree (No se convienen), from "The Disasters of War" (Los Desastres de la Guerra)Goya (Francisco de Goya y Lucientes)

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"

Plate 25: If he broke the pot (Si quebró el cantaro), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"

Plate 15: Pretty Advice (Bellos Consejos), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"

Plate 13: They are Hot (Estan Calientes), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Plate 9: Tantalus (Tantalo), from "Los Caprichos"

Plate 9: Tantalus (Tantalo), from "Los Caprichos"Goya (Francisco de Goya y Lucientes)

Adolphe (The Sad Young Man)

Adolphe (The Sad Young Man)Henri de Toulouse-Lautrec

Blind Singer

Blind Singer Goya (Francisco de Goya y Lucientes)

A Maja standing with hands on her hips

A Maja standing with hands on her hips Goya (Francisco de Goya y Lucientes)

A False Bacchus Crowning Drunkards

A False Bacchus Crowning Drunkards Goya (Francisco de Goya y Lucientes)

A Maja standing against a dark background with figures

A Maja standing against a dark background with figures Goya (Francisco de Goya y Lucientes)

The cloaked man

The cloaked man Goya (Francisco de Goya y Lucientes)

American Singer (from Le Café Concert)

American Singer (from Le Café Concert)Henri de Toulouse-Lautrec

A Spectator (from Le Café Concert)

A Spectator (from Le Café Concert)Henri de Toulouse-Lautrec

Ducarre at Les Ambassadeurs (from Le Café Concert)

Ducarre at Les Ambassadeurs (from Le Café Concert)Henri de Toulouse-Lautrec

Caudieux at the Petit Casino (from Le Café Concert)

Caudieux at the Petit Casino (from Le Café Concert)Henri de Toulouse-Lautrec

Aristide Bruant (from Le Café Concert)

Aristide Bruant (from Le Café Concert)Henri de Toulouse-Lautrec

Madame Abdala, from "Le Café Concert"

Madame Abdala, from "Le Café Concert"Henri de Toulouse-Lautrec

Edmée Lescot (from Le Café Concert)

Edmée Lescot (from Le Café Concert)Henri de Toulouse-Lautrec

Mary Hamilton (from Le Café Concert)

Mary Hamilton (from Le Café Concert)Henri de Toulouse-Lautrec

Paula Brébion (from Le Café Concert)

Paula Brébion (from Le Café Concert)Henri de Toulouse-Lautrec

Yvette Guilbert (from Le Café Concert)

Yvette Guilbert (from Le Café Concert)Henri de Toulouse-Lautrec

Marcelle Lender and Eva Lavalliére in a Revue at the Variétés

Marcelle Lender and Eva Lavalliére in a Revue at the Variétés Henri de Toulouse-Lautrec

At the Curtain (Au Rideau), from "L'Estampe Originale"

At the Curtain (Au Rideau), from "L'Estampe Originale"Henri de Toulouse-Lautrec

At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"

At Les Ambassadeurs (Au Café-Concert / At the Café Concert), from "L'Estampe Originale"Henri de Toulouse-Lautrec

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)

'Well-Known Folly' from the 'Disparates' (Follies / Irrationalities, Plate A)Goya (Francisco de Goya y Lucientes)

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)

'Little Bulls' Folly' from the 'Disparates' (Follies / Irrationalities, Plate D)Goya (Francisco de Goya y Lucientes)

Blind Guitarist

Blind Guitarist Goya (Francisco de Goya y Lucientes)

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