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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Tre studier til "Macbeth og heksene" Wall Art
ART BY: Oluf Hartmann
Tre studier til "Macbeth og heksene" Wall Art
ART BY: Oluf Hartmann
Standard, 624 × 800pxWEBP · Free
DownloadMax Size, 4,677 × 6,000pxJPG, Size: 4.0 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Tre studier til "Macbeth og heksene" is a drawing, blyant, pen, blæk, pensel, vandfarve by Oluf Hartmann (1879–1910), dated 1879-1910. The artist is catalogued as Danish. This reproduction is based on the copy in the SMK National Gallery of Denmark, and the file offered here measures 4677 × 6000 px (4.0 MB). Catalogued under Drawings and Expressionism, in portrait format. Archive Lane holds 94 works by Oluf Hartmann, a Danish artist.
Oluf Hartmann was a Danish painter. Trained at the Royal Danish Academy of Fine Arts in Copenhagen, he showed his works at important exhibitions in the 1900s.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Oluf Hartmann →
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Tre studier til "Macbeth og heksene" is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
