Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Suzuki Harunobu→
| Artist | Suzuki Harunobu |
| Year | c. 1768/69 |
| Medium | Color woodblock print; hashira-e |
| Origin | Art Institute of Chicago |
| Original Size | 68.8 × 12 cm (27 1/8 × 4 5/8 in.) |
| Category | Prints |
| Style | Japanese (culture or style) |
| Color | Beige |
| Resolution | 404x2250 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 377957 |
Instant digital delivery.Download the original high-resolution file immediately with your membership — no shipping, no waiting.
This public domain artwork is offered as an original high-resolution digital download.
Two Komuso is a color woodblock print; hashira-e by Suzuki Harunobu (1725–1770), dated c. 1768/69. The artist is catalogued as Japanese. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 404 × 2250 px (0.4 MB). Catalogued under Prints and Japanese (culture or style), in portrait format. Archive Lane holds 470 works by Suzuki Harunobu, a Japanese artist.
Suzuki Harunobu was a Japanese designer of woodblock print art in the ukiyo-e style. He was an innovator, the first to produce full-color prints in 1765, rendering obsolete the former modes of two- and three-color prints.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Suzuki Harunobu →
Two Komuso is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.