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Wealth, plate five from Virtues and Vices Wall Art
ART BY: Heinrich Aldegrever
Wealth, plate five from Virtues and Vices Wall Art
ART BY: Heinrich Aldegrever
Standard, 572 × 800pxWEBP · Free
DownloadMax Size, 2,145 × 3,000pxJPG, Size: 2.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 16″
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$101.99Medium · 12″ × 16″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Wealth, plate five from Virtues and Vices is an engraving in black on ivory laid paper by Heinrich Aldegrever (1502–1555), dated 1549. The artist is catalogued as German. The original is held by the Art Institute of Chicago, and the file offered here measures 2145 × 3000 px (2.4 MB). You will find it among Prints and Renaissance, in portrait format. Archive Lane holds 355 works by Heinrich Aldegrever, a German artist.
Heinrich Aldegrever or Aldegraf was a German painter and engraver. He was one of the "Little Masters", the group of German artists making small old master prints in the generation after Albrecht Dürer.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Heinrich Aldegrever →
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Frequently asked questions
Wealth, plate five from Virtues and Vices is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
