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Woman with Grapevine, 1st variant Wall Art
ART BY: Pierre-Auguste Renoir
Woman with Grapevine, 1st variant Wall Art
ART BY: Pierre-Auguste Renoir
Standard, 594 × 800pxWEBP · Free
DownloadMax Size, 2,227 × 3,000pxJPG, Size: 2.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 16″
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$101.99Medium · 12″ × 16″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Woman with Grapevine, 1st variant is a lithograph in black on cream japanese paper by Pierre-Auguste Renoir (1841–1919), dated c. 1904; published 1. The artist is catalogued as French. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 2227 × 3000 px (2.4 MB). Catalogued under Prints and Impressionism, in portrait format. Archive Lane holds 802 works by Pierre-Auguste Renoir, a French artist.
Pierre-Auguste Renoir was a leading French Impressionist artist. In his depiction of feminine beauty, Renoir has been described as "the final representative of a tradition which runs directly from Rubens to Watteau."
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Pierre-Auguste Renoir →
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Woman with Grapevine, 1st variant is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
