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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Zittende vrouwenfiguur Wall Art
ART BY: Nicolas Poussin
Zittende vrouwenfiguur Wall Art
ART BY: Nicolas Poussin
Standard, 800 × 763pxWEBP · Free
DownloadMax Size, 4,434 × 4,230pxJPG, Size: 3.2 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$224.99XL · 30″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Zittende vrouwenfiguur is a public-domain artwork by Nicolas Poussin (1594–1665), dated 1642 - 1644. The artist is catalogued as French. This reproduction is based on the copy in the Rijksmuseum, and the file offered here measures 4434 × 4230 px (3.2 MB). Catalogued under Drawings and Baroque, in landscape format. Archive Lane holds 177 works by Nicolas Poussin, a French artist.
Nicolas Poussin was a leading painter of the classical French Baroque style, although he spent most of his working life in Rome. Most of his works were on religious and mythological subjects painted for a small group of Italian and French collectors.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Nicolas Poussin →
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Zittende vrouwenfiguur is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
