Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

Sericulture (The Process of Making Silk), a painting, handscroll; ink and color on silk by Liang Kai, dated early 1200s. The source copy is at the Cleveland Museum of Art; the file offered here is 3,400 × 299 pixels. The work is in the public domain, so the full-resolution file can be downloaded and printed without licence restrictions.
View all artworks by Liang Kai→
| Artist | Liang Kai |
| Year | early 1200s |
| Medium | Painting, Handscroll; ink and color on silk |
| Origin | Cleveland Museum of Art |
| Category | Drawings |
| Color | Brown |
| Resolution | 3400x299 |
| Orientation | Landscape |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 503915 |
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This public domain artwork is offered as an original high-resolution digital download.
Sericulture (The Process of Making Silk) is a painting, handscroll; ink and color on silk by Liang Kai (1200–1300), dated early 1200s. This reproduction is based on the copy in the Cleveland Museum of Art, and the file offered here measures 3400 × 299 px (0.2 MB). Catalogued under Drawings, in landscape format. Archive Lane holds 3 works by Liang Kai.
Liang Kai was a Chinese painter of the Southern Song Dynasty. He was also known as Madman Liang because of his very informal pictures.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Liang Kai →
Sericulture (The Process of Making Silk) is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.