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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Studie Einer Frau Verbraunt Durchgestrichen Wall Art
ART BY: Jacob Adriaensz Backer
Studie Einer Frau Verbraunt Durchgestrichen Wall Art
ART BY: Jacob Adriaensz Backer
Standard, 800 × 703pxWEBP · Free
DownloadMax Size, 6,753 × 5,937pxJPG, Size: 34.4 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
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$197.99XL · 24″ × 30″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Studie Einer Frau Verbraunt Durchgestrichen is a public-domain artwork by Jacob Adriaensz Backer (1608–1651), dated 1635. The artist is catalogued as Dutch. The high-resolution file measures 6753 × 5937 px (34.4 MB). Catalogued under Drawings and Baroque, in landscape format. Archive Lane holds 34 works by Jacob Adriaensz Backer, a Dutch artist.
Jacob Adriaensz Backer was a Dutch Golden Age painter. He produced about 140 paintings in twenty years, including portraits, religious subjects, and mythological paintings.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Jacob Adriaensz Backer →
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Frequently asked questions
Studie Einer Frau Verbraunt Durchgestrichen is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
