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GOYA (FRANCISCO DE GOYA Y LUCIENTES)
Goya (Francisco de Goya y Lucientes)
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KANVAS TABLO
A woman giving a mug to an old man; folio 93 from the "Images of Spain" Album (F)
Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)
God save us from such a bitter fate; a bandit threatening a woman and a child with a knife, page 41 from the "Black Border Album" (E)
Mariano Ceballos riding a bull, from the 'Bulls of Bordeaux'
Self-Portrait; Plate 1 from "Los Caprichos"
The garroted man (El agarrotado)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
Plate 56, To the cemetery (Al cementerio), from "The Disasters of War" (Los Desastres de la Guerra)
Plate 56 from "Los Caprichos": To rise and to fall (Subir y bajar)
Plate 64 from "Los Caprichos": Bon Voyage (Buen Viage)
Philip III, King of Spain on horseback, after Velázquez
Men Spitting at a Fire
Hanged Man
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Baltasar Carlos on horseback
Little Bulls' Folly, from "The Disparates" (Disparates, Plate D)
Not [in this case] either (Tampoco), plate 36 from "The Disasters of War" (Los Desastres de La Guerra)
Portrait of a Young Man
Plate 16 from "The Disasters of War" (Los Desastres de la Guerra): 'They make use of them' (Se aprovechan)
Three women, one in the foreground drawing water from a well, two in the background washing; folio 45 (recto) from the Madrid Album "B"
A young woman looking into a well; folio 46 (verso) from the Madrid Album "B"
Plate 44 from "Los Caprichos": They spin finely (Hilan delgado)
Plate 25 from "La Tauromaquia": They loose dogs on the bull
Plate 21 from "La Tauromaquia": Dreadful events in the front rows of the ring at Madrid and death of the mayor of Torrejon
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Plate 39 from "Los Caprichos": And so was his grandfather (Asta su Abuelo)
Plate 11 from "La Tauromaquia": The Cid campeador spearing another bull
Disorderly Folly, from "The Disparates" (Follies / Irrationalities)
Plate 5 from "La Tauromaquia": The spirited Moor Gazul is the first to spear bulls according to the rules
Plate 33 from "La Tauromaquia": The unlucky death of Pepe Illo in the ring at Madrid
Plate 3 from "Los Caprichos": Here comes the bogey-man (Que viene el Coco)
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Plate 17 from "Los Caprichos": It is nicely stretched (Bien tirada está)
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Plate 66 from "Los Caprichos": There it goes (Allá vá eso)
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
Plate 10 from "Los Caprichos": Love and death (El amor y la muerte)
Plate 47 from "The Disasters of War" (Los Desastres de la Guerra): 'This is how it happened' (Así sucedió)
Plate 37 from "The Disasters of War" (Los Desastres de La Guerra): 'This is worse' (Esto es peor)
Plate 60 from "The Disasters of War" (Los Desastres de la Guerra): 'There is no one to help them' (No hay quien los socorra)
Plate 72 from "The Disasters of War" (Los Desastres de la Guerra): 'The Consequences' (Las resultas)
Plate 26 from "The Disasters of War" (Los Desastres de la Guerra): 'One can't look' (No se puede mirar)
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