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GOYA (FRANCISCO DE GOYA Y LUCIENTES)
Goya (Francisco de Goya y Lucientes)
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355
KANVAS TABLO
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Landscape
The Custody of a Prisoner Does Not Call for Torture (La seguridad de un reo no exige tormento)
Self-Portrait in a Cocked Hat
Unholy Union
Condesa de Altamira and Her Daughter, María Agustina
Bullfight in a Divided Ring
Majas on a Balcony
Narcisa Barañano Gayoso de Goicoechea
José Costa y Bonells (died l870), Called Pepito
Manuel Osorio Manrique de Zuñiga (1784–1792)
Tiburcio Pérez y Cuervo (1785/86–1841), the Architect
Josefa de Castilla Portugal y van Asbrock de Garcini (1775–about 1850)
Ignacio Garcini y Queralt (1752–1825), Brigadier of Engineers
Sebastián Martínez y Pérez (1747–1800)
Don Baltasar Carlos on horseback, after Velázquez
Plate 28 of "La Tauromaquia": The forceful Rendon stabs a bull with the pique, from which pass he died in the ring at Madrid
Plate 29 of "La Tauromaquia": Pepe Illo making the pass of the 'recorte'
Plate 30 from "La Tauromaquia": Pedro Romero killing the halted bull
Plate 31 of "La Tauromaquia": Banderillas with firecrackers
Plate 32 from "La Tauromaquia": Two teams of picadors thrown one after the other by a single bull
Plate 13 of "La Tauromaquia": A Spanish mounted knight in the ring breaking short spears without the help of assistants
Plate 14 from "La Tauromaquia": The very skillful student of Falces, wrapped in his cape, tricks the bull with the play of his body
Plate 16 of "La Tauromaquia": The same man throws a bull in the ring at Madrid
Plate 17 of "La Tauromaquia": The Moors use donkeys as a barrier to defend themselves against the bull whose horns have been tipped with balls
Plate 18 of "La 'Tauromaquia": The daring of Martincho in the ring at Zaragoza
Plate 19 of "La Tauromaquia": Another madness of his in the same ring
Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza
Plate 24 of "La Tauromaquia": The same Ceballos mounted on another bull breaks short spears in the ring at Madrid
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Plate 4 from "La Tauromaquia": They play another with the cape in an enclosure
Plate 2 from "La Tauromaquia": Another way of hunting on foot
Plate 1 from "La Tauromaquia": The way in which the ancient Spaniards hunted bulls on horseback in the open country
Plate 3 from " La Tauromaquia": The Moors settled in Spain, giving up the superstitions of the Koran, adopted this art of hunting, and spear a bull in the open
Funereal Folly, from "The Disparates" (Follies / Irrationalities)
General Folly, from "The Disparates" (Follies / Irrationalities)
'Clear Folly' from the 'Disparates' (Follies / Irrationalities)
'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
'Carnival Folly' from the 'Disparates' (Follies / Irrationalities)
The Exhortations, from "The Disparates" (Follies / Irrationalities)
The Andalusian dance (El Vito)
Plate 31 from "The Disasters of War" (Los Desastres de la Guerra): 'That's tough!' (Fuerte cosa es!)
'Merry Folly' from the 'Disparates' (Follies / Irrationalities)
'The horse abductor' from the 'Disparates' (Follies / Irrationalities)
'Cruel Folly', from the 'Disparates' (Follies / Irrationalities)
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Goya (Francisco de Goya y Lucientes) Kanvas Tabloları — Archive Lane Türkiye
![Plate 22 from "La Tauromaquia": Manly courage of the celebrated Pajuelera in [the ring] at Zaragoza](/uploads/derivatives/w400/museum/thumbnails/plate-22-from-la-tauromaquia-manly-courage-of-the-celebrated-pajuelera-in-the-ring-at-zaragoza_thumb.webp)
