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GOYA (FRANCISCO DE GOYA Y LUCIENTES)
Goya (Francisco de Goya y Lucientes)
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KANVAS TABLO
Plate 43 from "Los Caprichos": The sleep of reason produces monsters (El sueño de la razon produce monstruos)
Plate 34 from "Los Caprichos": Sleep overcomes them (Las rinde el Sueño)
Plate 4 from "Los Caprichos": Nanny's boy (El de la rollona)
Plate 11 from "Los Caprichos": Lads Making Ready (Muchachos al Avío)
Plate 26 from "Los Caprichos": They've already got a seat (Ya tienen asiento)
Plate 57 from "Los Caprichos": The filiation (La filiacion)
Plate 54 from "The Disasters of War" (Los Desastres de la Guerra): 'Appeals are in vain' (Clamores en vano)
Title page to "The Disasters of War" (Los Desastres de la Guerra) and two pages of letterpress description of the series
Plate 15 from "Los Caprichos": A pretty piece of advice (Bellos consejos)
Plate 59 from "Los Caprichos": And still they don't go! (Y aun no se van!)
Plate 49 from "Los Caprichos": Hobgoblins (Duendecitos)
Plate 24 from "Los Caprichos": Nothing could be done about It (Nohubo remedio)
Plate 37 from "Los Caprichos": Might not the pupil know more? (Si Sabrá mas el discipulo?)
Plate 29 from "Los Caprichos": That certainly is being able to read (Esto si que es leer)
Plate 71 from "Los Caprichos": When day breaks we will be off (Si amanece; nos Vamos)
Plate 56 from "The Disasters of War" (Los Desastres de la Guerra): 'To the cemetery' (Al cementerio)
Aesop, after Velázquez
Plate 58 from 'The Disasters of War' (Los Desastres de la Guerra): 'It's no use crying out.' (No hay que dar voces.)
Plate 31 from "Los Caprichos": She prays for her (Ruega por ella)
Plate 32 from "Los Caprichos": Because she was susceptible (Por que fue sensible)
Plate 61 from "Los Caprichos": They have flown (Volaverunt)
Plate 2 from "Los Caprichos": They say yes and give their hand to the first comer (El si pronuncian y la mano alargen al primero que llega)
Plate 51 from "Los Caprichos": They spruce themselves up (Se repulen)
Tantalus (Tantalo), plate 9 from "Los Caprichos"
Philip III, King of Spain on horseback, after Velázquez
Plate 22 from "Los Caprichos": Poor little girls! (Pobrecitas!)
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Men Spitting at a Fire
Plate 16 from "Los Caprichos": For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
Plate 25 from "Los Caprichos": If he broke the pot (Si quebró el Cantaro)
Plate 27 from "Los Caprichos": Which of them is the more overcome? (Quien mas rendido?)
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)
Plate 30 from "Los Caprichos": Why hide them? (Porque esconderlos?)
Plate 68 from "Los Caprichos": Pretty teacher! (Linda maestra!)
Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)
Plate 69 from "Los Caprichos": Blow (Sopla)
'If he is guilty, let him die quickly' (Si es delinquente qe. muera presto)
Plate 22 from 'Los Caprichos': Poor little girls! (Probrecitas!)
Plate1 from "The Disasters of War" (Los Desastres de la Guerra): 'Sad foreboding of what is going to happen' (Tristes presentimientos de lo que ha de acontecer)
Plate 77 from "Los Caprichos": What one does to another (Unos á otros)
Plate 67 from "Los Caprichos": Wait till you've been anointed (Aguarda que te unten)
A pretty piece of advice (Bellos consejos), plate 15 from "Los Caprichos"
The cloaked man
A Maja standing with hands on her hips
Blind Singer
Construction; page 46, from "Images of Spain" Album (F)
Plate 13 from "Los Caprichos": They are hot (Estan calientes)
Plate 16 from 'Los Caprichos':For heaven's sake: and it was her mother (Dios la Perdone: Y era su madre)
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Goya (Francisco de Goya y Lucientes) Kanvas Tabloları — Archive Lane Türkiye
