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GOYA (FRANCISCO DE GOYA Y LUCIENTES)
Goya (Francisco de Goya y Lucientes)
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KANVAS TABLO
Plate 74 from "The Disasters of War" (Los Desastres de la Guerra): 'That is the worst of it!' (Esto es lo peor!)
Plate 75 from "Los Caprichos": Is there no one to untie us? (¿No hay quien nos desate?)
Plate 75 from "The Disasters of War" (Los Desastres de la Guerra): 'Charlatan's show' (Farándula de charlatanes)
Plate 76 from "Los Caprichos": You understand?... well, as I say... eh! Look out! otherwise... (¿Està Umd...pues, Como digo..eh! Cuidado! si no...)
Plate 76 from "The Disasters of War" (Los Desastres de la Guerra): 'The carnivorous vulture' (El buitre carnívoro)
Plate 77 from "Los Caprichos": What one does to another (Unos á otros)
Plate 77 from "The Disasters of War" (Los Desastres de la Guerra): 'May the cord break' (Que se rompe la cuerda)
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiertan)
Plate 78 from 'Los Caprichos': Be quick, they are waking up (Despacha, que dispiertan.)
Plate 78 from "Los Caprichos": Be quick, they are waking up (Despacha, que dispiértan)
Plate 78 from "The Disasters of War" (Los Desastres de la Guerra): 'He defends himself well' (Se defiende bien)
Plate 79 from "Los Caprichos": No one has seen us (Nadie nos ha visto)
Plate 79 from "The Disasters of War" (Los Desastres de la Guerra): 'Truth has died' (Murió la verdad)
Plate 7 from "La Tauromaquia": Origin of the harpoon or banderillas
Plate 7 from "Los Caprichos": Even thus he cannot make her out (Ni asi la distingue)
Plate 7 from "The Disasters of War" (Los Desastres de la Guerra): 'What courage!' (Que valor!)
Plate 80 from "Los Caprichos": It is time (Ya es hora)
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): 'Will she rise again?' (Si resucitará?)
Plate 80 from "The Disasters of War" (Los Desastres de la Guerra): Will she rise again? (Si resucitará?)
Plate 8 from "La Tauromaquia": A Moor caught by the bull in the ring
Plate 8 from "Los Caprichos": They carried her off! (Que se la llevaron!)
Plate 8 from "Tauromaquia": A moor caught by the bull in the ring
Plate 8 from "The Disasters of War" (Los Desastres de la Guerra): 'It always happens' (Siempre sucede)
Plate 9 from "La Tauromaquia": A Spanish knight kills the bull after having lost his horse
Plate 9 from "Los Caprichos": Tantalus (Tantalo)
Plate 9 from "The Disasters of War" (Los Desastres de la Guerra): 'They don't like to' (No quieren)
Plate 9: Tantalus (Tantalo), from "Los Caprichos"
Plate C: The dogs let loose on the bull, from "Tauromaquia"
Pllate 60 from "Los Caprichos": Trials (Ensayos)
'Poor Folly' from the 'Disparates' (Follies / Irrationalities)
Portrait of a Young Man
Portrait of the court dwarf El Primo, after Velázquez
Portrait of the court dwarf known as el Primo, after Velázquez
Prisoners in irons; page 80 from the "Images of Spain" Album (F)
'Punctual Folly' from the 'Disparates' (Follies / Irrationalities. Plate B)
Rabbit hunter with a Retriever; folio 103 from the "Images of Spain" Album (F)
Reproduction in reverse of Goya's Sueño drawing that was preparatory for Plate 14 from Los Caprichos, 'What a sacrifice', a young woman surrounded by a group of men, which includes her fiancé, a rich hunchback
Revenge on Constable Lampiños; page 86 from the "Images of Spain" Album (F)
Ridiculous Folly, from the 'Disparates' (Follies / Irrationalities)
Seated Giant
Sebastián Martínez y Pérez (1747–1800)
Self-Portrait
Self-Portrait in a Cocked Hat
Self-Portrait; Plate 1 from "Los Caprichos"
Self-Portrait; wearing a top hat facing left within a drawn frame (recto); two studies of his face (verso)
Tantalus (Tantalo), plate 9 from "Los Caprichos"
The agility and audacity of Juanito Apiñani in [the ring] at Madrid, plate 20 from "La Tauromaquia"
The Andalusian dance (El Vito)
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