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Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
Verses to Eugène Bléry Wall Art
ART BY: Charles Meryon
Verses to Eugène Bléry Wall Art
ART BY: Charles Meryon
Standard, 477 × 800pxWEBP · Free
DownloadMax Size, 2,029 × 3,400pxJPG, Size: 1.5 MB
License: All public domain files can be freely used for personal and commercial projects. Don’t resell the files as a stock or archive collection.
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Gallery-wrapped · 1.5″ deep · ready to hang
Choose sizeMedium · 12″ × 18″
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$106.99Medium · 12″ × 18″
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- 1You orderNothing is printed until you order. There is no warehouse stock, so the file that goes to press is the restored original for the size you picked.
- 2We print it locallyYour print is made in the facility closest to you — US, UK or EU. Most prints are made within one to four days; a handmade frame can take up to seven.
- 3It ships and arrives ready to hangCanvas comes gallery-wrapped and framed pieces arrive assembled, so there is nothing to build. Shipping time is added on top of the making time.
About this artwork
Verses to Eugène Bléry is a print, etching by Charles Meryon (1821–1868), dated 1854. The artist is catalogued as French. The source scan comes from the Cleveland Museum of Art, and the file offered here measures 2029 × 3400 px (1.5 MB). It is filed under Prints and Realism, in portrait format. Archive Lane holds 437 works by Charles Meryon, a French artist.
Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Meryon →
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Verses to Eugène Bléry is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day) — and the artwork can also be ordered as a made-to-order print.
