Gallery-wrapped, ready to hang
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.

View all artworks by Charles Meryon→
| Artist | Charles Meryon |
| Year | 1854 |
| Medium | Etching in black and red on ivory wove paper |
| Origin | Art Institute of Chicago |
| Original Size | Image: 17.4 × 6.9 cm (6 7/8 × 2 3/4 in.); Plate: 17.4 × 6.9 cm (6 7/8 × 2 3/4 in.); Sheet: 43 × 32 cm (16 15/16 × 12 5/8 in.) |
| Category | Prints |
| Style | Realism |
| Color | Beige |
| Resolution | 1050x2250 |
| Orientation | Portrait |
| File Type | High-resolution JPG |
| Source | Public domain, restored by Archive Lane |
| License | Personal & commercial use, no attribution required |
| Delivery | Instant digital download |
| SKU | 390290 |
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This public domain artwork is offered as an original high-resolution digital download.
Dedicatory Verses by Meryon to Reinier Nooms, Called Zeeman is an etching in black and red on ivory wove paper by Charles Meryon (1821–1868), dated 1854. The artist is catalogued as French. This reproduction is based on the copy in the Art Institute of Chicago, and the file offered here measures 1050 × 2250 px (0.9 MB). Catalogued under Prints and Realism, in portrait format. Archive Lane holds 447 works by Charles Meryon, a French artist.
Charles Meryon was a French artist who worked almost entirely in etching, as he had colour blindness. Although now little-known in the English-speaking world, he is generally recognised as the most significant etcher of 19th century France.
Biography adapted from Wikipedia (CC BY-SA 4.0). All works by Charles Meryon →
Dedicatory Verses by Meryon to Reinier Nooms, Called Zeeman is free to preview at web resolution. The original high-resolution file is a one-time purchase, or included with an Archive Lane membership (up to 1,000 high-resolution downloads per day).
Stretched over a 38 mm (1.5 in) bar and delivered stretched — there is nothing to assemble and no separate frame to buy.
The outer strip of the artwork is mirrored around the sides, so the full picture stays on the face of the canvas instead of disappearing around the corner.

A heavy 400 gsm canvas with a matte woven surface. There is no glass in front of it, so the print stays readable from any angle and in any light.

Every room view above is drawn to the real scale of the size you selected, measured against the furniture in the photograph — so the wall space is a fair estimate, not decoration.